User:Tohline/Appendix/CGH/ParallelApertures
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Contents 
CGH: Appertures that are Parallel to the Image Screen
This chapter is intended primarily to replicate §I.A from the online class notes — see also an associated Preface and the original Table of Contents — that I developed in conjunction with a course that I taught in 1999 on the topic of Computer Generated Holography (CGH) for a subset of LSU physics majors who were interested in computational science.
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Propagation of Light
Here we reference heavily the traveling, wavelike nature of light and, as is customary, use to represent its speed of propagation through space. Consider a single ray of light of wavelength, , that is traveling in the direction. Its amplitude, , will vary with time in a sinusoidal fashion as described by the equation,
where: the lightwave's peaktopeak brightness is ; is the "phase" that the oscillatory wave displays at a reference location, , when the reference time, ; and . As is demonstrated, for example, in our accompanying discussion of various, equivalent, Fourier series expressions, this equation can be usefully rewritten in a number of other forms.
OneDimensional Aperture
General Concept

Consider the amplitude (and phase) of light that is incident at a location on an image screen that is located a distance from a slit of width . First, as illustrated in Figure 1, consider the contribution due only to two rays of light: one coming from location at the top edge of the slit (a distance from point on the screen) and another coming from location at the bottom edge of the slit (a distance from the same point on the screen).
The complex number, , representing the light amplitude and phase at will be,



where, is the wavelength of the light, is the brightness of the light at point on the aperture, and is the phase of the light as it leaves point .
Now, if we consider for the moment that at all locations on the aperture, , the light has a brightness and a phase , then,



where, . So the question of whether the amplitude at on the image screen will be bright due to constructive interference or faint as a result of destructive interference comes down to a question of what the phase difference is between the two distances and where,









and,



Utility of FFT Techniques
Let's rewrite the first of our above equations in a form that takes into account many more than just two points along the aperture. That is,






Note that this is identical to the expression,

In the more restrictive case when we assume that everywhere along the aperture the phase , we have,






where, in each of these expressions, we have replaced with . After acknowledging that the function, , is complex — with being given by the sum over cosine terms and being given by the sum over sine terms — it is clear that the brightness of each point on the image screen is given by (the square root of) multiplied by its complex conjugate, , that is, by the expression, . Figures 2 & 3 show how this brightness (amplitude) varies across the image screen for the case of a monochromatic light of wavelength, nanometers, impinging on a single slit that is 1 mm in width; for all curves, the amplitude has been determined by summing over equally spaced points across the slit. The results displayed in Figure 2 are for an image screen that is placed meter from the slit, while Figure 3 displays results for an image screen that is placed a distance, m from the slit.
Two curves appear in both Figure 2 and Figure 3. The solid green curve was obtained by plugging the precise, "nonlinear" determination of — that is, the mathematical expression for , as given above — into the arguments of the trigonometric functions, while the dotted red curve was obtained by using the approximate, "linearized" expression for , as will now be described.
If we assume that, for all ,
— in the present context, this generally will be equivalent to assuming that the width of the aperture is much much less than the distance separating the aperture from the image screen — we can drop the quadratic term in favor of the linear one in the above expression for and deduce that,






Hence, we have,






where, now, .
Notice that this expression matches what we have referred to elsewhere as the Complex Fourier Series Expression. When written in this form, it should immediately be apparent why discrete Fourier transform techniques (specifically FFT techniques) are useful tools for evaluation of the complex amplitude, . See further elaboration below.
Location of the Dark Fringe(s)
As has been described in multiple online references, the locations across the image screen where complete destructive interference occurs can be determined straightforwardly using geometric relationships. For example, in terms of the angle, , defined such that,
the distance from the central brightness peak to the first location where the brightness/amplitude goes to zero — i.e., the location of the first dark fringe — is given by the relation,
(For each successive fringe, labeled by the positive integer, , the relation is, ) Hence, acknowledging that usually , we find that,









In the context of Figure 3, this means that, millimeters, while, in Figure 2, millimeters — in both cases, this is in agreement with the plotted linearized amplitude curves.
Parallels With Standard Fourier Series
Let's draw parallels between the above discussion of the singleslit diffraction pattern and our separate presentation of the standard treatment of Fourier Transforms.
SingleSlit (Linearized) Diffraction 

It is sometimes useful to view and as, respectively, the real and imaginary components of a complex variable; for example,
in which case,

where,


A comparison between the two discussions reveals the following variable mappings:

Drawing from an accompanying discussion, the corresponding complex Fourier series expression is,



where, for



In other words,





















Now, carry out the inverse transform.
SingleSlit (Linearized) Diffraction 



Parallels With Example #2
This "one dimensional aperture" analysis should exhibit features that strongly resemble the features that appear in our accompanying discussion of the Fourier series associated with a "square wave". In both cases — after performing both a Fourier transform and the inverse transform — the ultimate series expression that will represent the (square wave) amplitude across the aperture will take the form,



This function clearly repeats itself at spatial intervals of . Hence, we must acknowledge that, even if the initial state is intended to represent a single aperture, the inverse transform will produce an infinite set of identical apertures that are spaced (centertocenter) at intervals of . We can presumably arrange to have successive apertures of width, , widely spaced from one another by picking a value of . (Reference, also, frame a of Figure 5, below, which depicts a uniformly illuminated (yellow), twodimensional aperture whose horizontal width, as labeled, is the aperture has been cut into a mat of width, .)
In the "square wave" analysis in which the brightness across the aperture is specified by a continuous function, the amplitude, , of each Fourier mode, , is given by the expression,



where, . On the other hand, when a discrete Fourier transform is used, the analogous Fourier amplitude is given by the expression,



Comparing the two expressions, we recognize first that the integer, , has the same meaning in both; and, second, that . Therefore — after recognizing that — it must also be true that,
Next we notice, from the "square wave" analysis, that since the amplitude of the the diffraction pattern, , varies as , the first dark fringe will arise when , that is, when . But, as explained above, from geometric arguments associated with the "one dimensional aperture" analysis, we expect the first dark fringe on the image screen to arise when,












where this last relation has been derived by recognizing that, quite generally by design, . So, these two separate ways of identifying the location of the first dark fringe agree with one another.
COMMENT: Throughout our discussion of computergenerated holography, we will find it necessary to construct a discretized image screen and, hence, will need to discuss the corresponding discretized modal amplitude ("sinc") function. This discretized amplitude function can be treated as a multipleslit source function — reference, for example, frame c of Figure 5, below, which displays a 6 × 6 horizontal × vertical aperture layout — and, via an inverse Fourier transform, be used to regenerate the original squarewave (or analogous) function. This square wave of width, , will necessarily be accompanied by multiple duplicate images that are spaced a (centertocenter) distance, , apart. The result that we have just derived tells us that the relative spacing of these duplicate images will be large, relative to the width of the original square wave, if the discretization of the image screen is done in such a way as to ensure that is a large number.
Multiple OneDimensional Apertures
Okay. Let's piece together an image that is generated by a set of , identical onedimensional apertures; each one is uniformly illuminated, but adjacent apertures will, in general, have different illuminations, . Each aperture has width, ; and each is separated from its two neighboring apertures by a distance, . (Reference frames b and c of Figure 5, below, which display, respectively, a 2 × 2 and 6 × 6 aperturematrix layout in which all apertures are uniformly illuminated.)
Two Slits
Starting with just a pair of slits (as illustrated in frame b of Figure 5) and setting the xdirection zero point exactly midway between the two, we can expand upon the accompanying Example #2 discussion to obtain,






























Note that,









Considering, first, the case where the two slits are illuminated equally , we see that , so the amplitude is,












where,
In the following animated figure, the reddotted curve shows how varies with for a variety of values of the dimensionless parameter, , as recorded in the upperrighthand corner of the plot.
Figure 4: DoubleAperture Diffraction Pattern — Variable 

The static, dashedblack curve in the figure displays the function,
which is the proper amplitude behavior in the limit of . The static, solid black curve in the figure displays the function, ; by inspection, this curve serves as the upper envelope to the amplitude function for all values of the dimensionless parameter, .
Two (or more) Slit Pairs
Now, let's examine four identical slits.





















Note that,









Therefore, for an arbitrary number of slit pairs, , it appears as though,












where, as before, , with the special case,



Behavior of when for all , and in the limit, . 

When :
When :
When :
Therefore, it appears as though, for arbitrary values of ,
I have not yet proven that the above, generalized expression for works for all values of . To do so will likely involve enlisting the following two generalized trigonometric (Multipleangle) relations that appear on p. 190 of my CRC handbook of Standard Mathematical Tables.

VARIOUS SCALINGS:

Given that has units of brightness per unit length, with referring to the brightness per unit length that is incident on the single slit; and, given that in the above formulation each separate slit has a width of , the total brightness emerging from a uniformly illuminated multislit configuration is,
Hence, in order for every configuration's total brightness to be the same — that is, to be equal to where is the halfwidth of the single slit — in each case we need to set .
 As is illustrated by frame a of Figure 5, below, the total width of the single slit is , while — see frames b and c of Figure 5 — the total width of the combined slit(s) is
Hence, if we want the ratio of the slit width to the Fourier width, , to be the same for each multislit example, in each case we need to set,
Or, put together, we have,
Figure 5  


Incorporating these normalizations, we have,



and,



where,



Figure 6 

and for various 
By generalizing, we also see that,















Considering, first, the case where the two slits are illuminated equally , we see that , so the amplitude is,






where,
Check List
Here is a list of issues that need to be discussed/explained in order to establish a foundation for the topic of this chapter.
 HuygensFresnel Principle
 Single Aperture (or Reflecting Surface)
 Exact Representation
where …
and
 Approximation
Realizing that,  Double Aperture
Here, on the right, we have replicated frame b from Figure 5, which displays four yellow square apertures — each of width, , as indicated — arranged in a 2 × 2 matrix on a background mat of width, . The apertures are separated horizontally from each other by a distance, , so, as illustrated, the distance from the center of the mat to the outer edge of an aperture is . Referencing only the horizontal layout of apertures in this image — that is, ignoring its vertical layout to focus on the simpler, onedimensional problem — we see that the image represents a single pair of apertures and, hence, the case (referenced below) where .
Making the substitutions,
and
where,
 Multiple Aperture Pairs
and,
where,
 Limiting Behavior
When for all , and in the limit, ,  Upper and Lower Envelope of Curves
 Relationship to Fourier Series
 Inverse Fourier Transform
See Also
 Tohline, J. E., (2008) Computing in Science & Engineering, vol. 10, no. 4, pp. 8485 — Where is My Digital Holographic Display? [ PDF ]
 Diffraction (Wikipedia)
 Various Google hits:
 Single Slit Diffraction (University of Tennessee, Knoxville)
 Diffraction from a Single Slit; Young's Experiment with Finite Slits (University of New South Wales, Sydney, Australia)
 Single Slit Diffraction Pattern of Light (University of British Columbia, Canada)
 Fraunhofer Single Slit (Georgia State University)
© 2014  2019 by Joel E. Tohline 